莱奥诺拉的告别
- 主演：娜塔丽·拉布蒂·戈麦斯 马西莫·波波利齐奥 法比齐奥·费拉卡尼
- 状态：HD
- 导演：保罗·塔维亚尼
- 类型：剧情片
-
简介：
Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, bu泰国版色戒尺度大开t there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caes在线直播ar Must Die, once again uses cinema to give voice to literature and history.
《莱奥诺拉的告别》详细介绍
分类：剧情片
状态：HD
上映时间：2022
视频更新时间：2025-05-18 11:52
国家/地区：其它
影片语言：其它
评分：10.0分
影片导演：保罗·塔维亚尼
影片演员：娜塔丽·拉布蒂·戈麦斯 马西莫·波波利齐奥 法比齐奥·费拉卡尼
资源类别：高清无删减
剧情介绍：保罗·塔维亚尼 导演执导的《莱奥诺拉的告别》，该影片在2022其它发行，上映至今获得了较好的口碑， HD，由娜塔丽·拉布蒂·戈麦斯 马西莫·波波利齐奥 法比齐奥·费拉卡尼 等主演的一部不错的其它的剧情片。
Three years after the loss of his brother Vittorio, with whom he shared his entire career, Paolo Taviani returns to the works of Luigi Pirandello, which the pair adapted in 1984 (Chaos) and 1998 (You Laugh). In keeping with the Sicilian playwright’s vision, the film is not at all what it appears to be. The title may come from a 1910 novella, bu泰国版色戒尺度大开t there is no trace of that book’s jealousy-riddled plot. Instead, the focus is on Pirandello himself, or rather, his ashes, which are transported from a hasty burial site in fascist Rome to a permanent resting place in Sicily, on a trek that takes us through post-war Italy and its filmed memories, as seen in newsreels, amateur films and fragments of Neorealism. Having buried the master, Leonora addio then shifts gear from road movie to film adaptation, but here it picks a different Pirandello story, namely the last one, written shortly before his death in 1936. From the farewell of the title to its return to the writer’s last words, it is hard not to read this work, so free and yet so much a part of the Taviani world, as a moving brotherly farewell which, just as in 2012’s Golden Bear winner Caes在线直播ar Must Die, once again uses cinema to give voice to literature and history.
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